Dating lachenal english concertina
However, Wheatstone is best known for his contributions in the development of the Wheatstone bridge , originally invented by Samuel Hunter Christie , which is used to measure an unknown electrical resistance, and as a major figure in the development of telegraphy. Charles Wheatstone was born in Barnwood , Gloucestershire. His father, W. Wheatstone, was a music-seller in the town, who moved to Pall Mall, London, four years later, becoming a teacher of the flute. Charles, the second son, went to a village school, near Gloucester, and afterwards to several institutions in London. One of them was in Kennington , and kept by a Mrs. Castlemaine, who was astonished at his rapid progress. From another he ran away, but was captured at Windsor , not far from the theatre of his practical telegraph. As a boy he was very shy and sensitive, liking well to retire into an attic, without any other company than his own thoughts.
Sir Charles Wheatstone , one of the most renowned scientists of the nineteenth century , experimented with acoustics, optics, electricity and, significantly, the telegraph. He was the first appointed Professor of Experimental Philosophy at King’s College London and, when he died in , he left his collection of books, scientific papers and instruments to the College.
Ohm and Michael Faraday represent Wheatstone’s keen interest in anything to do with electricity. Evidence of Wheatstone’s personal interests can be found in works on phrenology by George Combe, F.
The second purchase, dating from the s, is an early ‘Duett’ concertina See Neil Wayne, ‘The Wheatstone English Concertina’, Galpin.
This last instrument has an early repair inscription inside it:. Wheatstone was supplied to Mrs. Sidney Pratten guitarist, concertina, and, lachenal of Giulio Regondi, and wife of the flautist R. Sidney Pratten english 9th May , though no price was recorded; Wheatstone was one of a consecutively numbered batch of twelve concertinas so all of one model that were sold to Messrs. Thus english would appear, at least from these examples, that both Wheatstone and Lachenal instruments were given the same serial numbers, which implies that there were two separate sequences.
They list English-system trebles with 22, 24, 32, 40 and 48 keys, key baritones, and key Duets. However, by the time we reach the price list published in the Catalogue of the May Exhibition see Fig. Members concertina the Lachenal family have told me that Elizabeth Lachenal dating Socialist leanings!
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One is a very early English concertina, apparently without serial number Acq. Both instruments were purchased with funds from the Robert Alonzo Lehman Bequest, and are currently on display along with other free-reed instruments, including a Wheatstone symphonion Acq. Within the next year the department hopes to mount a temporary exhibition of a selection of its free-reed instruments in the Musical Instrument Galleries. Finally, the Department of Musical Instruments welcomes serious researchers by appointment.
Wheatstone No. Musikinstrumentbau-Symposiums
However, when it comes to concertinas it’s not usually possible to find an accurate date. There are very few makers’ records except for Wheatstone. Most, if not.
Do you know another resource that we should include? Tell us about it. Resources in the Concertina Library for C. Unpublished manuscript 2 pp. Promotional brochure and price list, dated This copy is in the collection of the Horniman Museum, no. Dated c.
ピレリ チントゥラート P7 PIRELLI CINTURATO P7 275/35R19 100Y
Charles Wheatstone. Wheatstone designed this instrument between and to play duets and accompany melodies. Just as with a regular English concertina, pressure and suction give the same note on two different reeds.
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In a competitive concertina-manufacturing and selling environment, the Lachenal company produced a range of very fine instruments, including many “student” models. Anglo Lachenals are, as far as I know, all considered “student” grade. They’re good instruments with “real” steel or brass concertina reeds and construction, but the action and sound won’t be as nice or as consistent as some other makes mentioned below. These instruments were all made in the UK, so “vintage English” usually refers to a Lachenal, Wheatstone, Jeffries or Crabb, and implies superior compared to the Italian Stagis quality of construction, sound, and playability action.
If you can afford it, one of these vintage concertinas will be a fine instrument on which to learn, and frankly, you might never need to purchase another instrument as long as you live. They had a metal-ended model available for a little more, but since I was already a bit over my budget, I got the wooden-end model. Some people say the wooden-ended models have a mellower sound and so are better for accompaniment if you plan on singing at the same time, but I think this is a very general rule, and probably varies a lot from instrument to instrument.
The type of reeds and layout of the reedpan also affects sound quality considerably see the note below by Rich Morse of The Button Box for more details.
Oh no, there’s been an error
This note describes some information recently re-discovered about the production of Wheatstone Anglo concertinas with serial numbers above During these 37 years Wheatstone manufactured about 2, Englishes and Duets, with serial numbers from about through , and some 9, Anglos, with serial numbers from through A number of other people have contributed insights and information. Not everything can be explained, and there may well be misunderstandings and mistakes in what I have written here and I have made them all myself, since no one else has yet had a chance to review the text.
The generally-accepted story about Wheatstone concertina production has been that Wheatstone made concertinas English, Anglo, and Duet from serial beginning about , ending with or so in the mids.
Ready to play! A rare chance has arisen to get your hands on a Wheatstone Aeola Anglo Concertina. Dating back to the late s it features metal ends and metal buttons. Handles beautifully and produces a stunning concertina sound. Would suit an advanced or professional player. Serial Number is Fits Wheatstone, Please get in touch with me for Wheatstone ‘Linota’ Concertina This is a reconditioned Linota Wheatstone concertina – top of the Wheatstone Range and it features riveted action and metal buttons.
We have this beauty in-store John Connor makes beautiful machines with a sound to rival Jeffries without the hassle of leaky Famous for their beautifully made, fast and responsive concertinas, Marcus
Wheatstone Anglos with Serial Numbers 50,000+
Well, the biggest and miss. It around using one of a basic model 48 key english. Many, the range of raw materials used in the instrument.
numbers and descriptions which are useful to interpret the Wheatstone Concertina Ledgers. See also from Wheatstone. See also dating jeffries concertinas.
I wrote this update in early I’ve completely failed to produce any further update since, but concertina history has moved on quickly, with other contributors like Randy Merris, Stephen Chambers, Dan Worral, Chris Flint, Geoff Crabb and many more producing in-depth articles on the subject. This update remains here for historical reasons, but is also a reminder on how little we knew and how little was available only a short time ago. This page is an updated section of the original article at concertina.
Updating the article has proved difficult because of the rate at which new information has been appearing. Although I hope to release a full update sometime in , much new information has already appeared in the Concertina History Forum at concertina. Neil Wayne’s account of the early concertina years shows that many of the early makers were originally associated with Wheatstone. A lot of the industry was supplied by small companies, or even individuals, who specialised in making a certain part of the concertina.
Paul Hardy’s Lachenal Concertina – 15584
It is reproduced here with some format changes with the kind permission of the author Neil Wayne. Photographs have not been included although references to [plates]and their descriptions remain. Contact Neil Wayne. The main varieties of these new instruments were the mouth organ, developed in Germany around ; the accordion, patented in Vienna in , and the concertina, invented by Charles Wheatstone around or ,initially as a scientific curiosity, but marketed from asa serious musical instrument.
someones initials and a date or something written somewhere inside), and these can you may know, Charles Wheatstone invented the concertina. Now on to.
The Concertina Museum Ref A Wheatstone ‘Blue Boards’ Concertina catalogue from the s. An original Wheatstone ‘Blue Boards’ Concertina catalogue from the s. From the Ruth Askew Collection. An 8-page copy of the section on the history of the Wheatstone concertina. A letter signed by Harry Minting , dated 20th June , sent from Wheatstones. A Lachenal and Co Concertina Catalogue.